Poetry

A selection of poems from Giuseppe Goffredo

Silence Next to a Yellow Crocus

 

“.. and in the morning, he spread the juice of that grass on his feet, went down to the sea,
walked upon it for nights and days observing with amazement
 frightening and marvelous things as well as rare ones, nor did he stop walking on the surface of the water”
(The Thousand and One Nights, from the story of Hasib Karim Ad-Din)

 

Descending with me from a distant March.
It fills my hands. In the weightless sun.
Inside the holes of the ant-hill. Made welcome.
In the drops of dew. I swim.
In the saintly marsh of bird excrement.
Pedaling away on the gravel road. In the light.
In the peach fuzz of emerging buds.
Lizards flailing their tails on the side of the road. In the green.
Clouds drying up  in white puddles.
The call and the voice of one’s own thoughts.
In the mud, sky, light. Pedaling.
Pedaling on. Joyously. Salivating
and salivating as I climb. With the cyclamens.
Yesterday it rained. Yesterday it was. I gave.
Light rings me, sprinkles me. Lends me voice.
Dances me in an empty, dead twig.
A hermit’s cane. Lightweight.
Silence next to a yellow crocus.
Wheat stacks. On the ground. Ground. Here.
In the woods. Behind the heart.
In front of your eyes. Here…where…beyond
In the meridian cutting across the trees. Next to it…Beyond.
And where in this chaos of oblivion? In a hall of mirrors.
On the trunks. Just like the dream calls for.
Sewing up the hole of the great void.
Spreading shadows on my hands. Carved up on the
face of their geography. You chase  me, self-assured.
Perhaps you desire me, in your supple vacuousness.
Happy like butterflies, sisters in April’s early warmth
Oh, come back. Come. The thinking soul . The loving soul.
Soul  willing  to confront . Soul with its pulse
beat inventing  the quiet and infinite light of silence,
on the white rocks that smell like thyme
up, up there, while oaks touched me
like herbivores grazing
 
 
I was opening my lungs to spring
among smells and bird whistles. 
There, where the water swept me down river.
My eyes were thinking of a possible future.
How to invent it. In the human  time of all.
While I was slithering like a coluber
among the possible answers offered by the light
penetrating among the trees. On the uninterrupted page
between  page and existence.
Aspiring to the void as the rotting
cane was beating on the ground.  Reaching silence.
Hunting for the last answers.
 
 
Those who had glanced at the problem of life earlier
couldn’t tell what it was made of.
Maybe of living. Maybe of those fragrances.
Maybe of  lichens growing.
Maybe of the weakness of one’s arm.
Maybe of the premonition of fullness in the void.
So that emptiness was the only tutor around.
That’s why I was seeking out the woods
where voices speak in absence.
Doggedly insisting in the din of an interrupted buzz.
In that illusory murmuring, the crocus would finally open its eyes.
Before screaming out cosmoses and infinities.
 
 
This is why you were born, it repeated to me many a  time.                
Just take a few whiffs and here you are.
You find your footing. You find your pace.
The grace of life regained.
To give a name to things once again.
In everybody’s eyes. In  yours
from which you can re-open the closed door
and flee the systematic conspiracy of silence
and collusion where the only extreme form of existence
is consumption. A plan for assassinating - killing, suicide.
A mass grave for everyone. A whole gamut of gas chambers.
 
 
And to look at the world from that hole.
Without a life other than that one.
Without a thought other than those ones.
Those and only those crossword puzzles
sticky as glue meant to capture mice. The horror. Brutality.
For those who are inside and cannot change.  Alone with the others.
With all those you meet.          
There, where the others can not and know not.
Evil besieges you, animal outside your pack
Individuals degenerated into solitary entities.
To avoid being sucked in , all you have left is exhaustion.
For our obligations to being which we cannot transfer.
A plea to get back  into our skin and think.
Each one glued to their own personal news-cast.
With conspiracies of silence laid out in a confused game
of lights and shadows suspending  the truth within us.
 
 
Remembering a return, one afternoon
under a luminous sky
the sudden joy of existence in a warm wanderlust
among all things useless and rare
that are found in the human castoff
as you walk along a stone wall
and in the dream of a duration
that gives you birth over and over again
always in the same place and in different places
earth, water, sky, light, breath, flesh, love of place.
In your eyes what your ears hold, what is held by your hands.
What the earth is. Origin in the process of sprouting.
 
 
Language. Languages. Shores. Voices. The closeness and distance of exile.
To disappear and re-appear.
To silence oneself , to take the shape of a hull as you cool down.
And in the voyage a burnt color that tries to make it through.
To heal. To bring with it a birth.
The infinite calling out to us.
Inhabiting us and carrying on. To leave so you can come back.
To listen so you can hear.  To return so you can give yourself a voice.
This is wealth of  places.
The undreaming dream sews
together the tale.
Under a clearer sky the wait for a return.
Here and in each elsewhere. Beyond any  boundary of oblivion.
 
 
Awareness hits you: You must negate history
perculating in the colliquation of a single color.
Faces. Landscapes. Civilizations. Cultures. Resemblances.
You must start from scratch again: Lands with lands. Shores with shores.
With infinite patience. To understand what we are.
Take your bedraggled sock,  turn it inside out in the sea
and rinse it out again and again. To be born again knowing
that you must lose. Lose once more. Outside of steel-works
ports and orange groves razed to the ground. While athletes
rush, pick up speed, get worked up with sadistic mockery.
Like Orpheus with Eurydice you must not look back.
Understand that the essence of things is nothing else but the courage to do them.
So as not to give respite to the void, respond to the game
with beauty. Start over from yourself each time.
Because there is no other solution when commodities
along the borders are handled with care
while humans are the cheapest and most useless of merchandise.
That’s why they lay the barbed wire to fence off
whole continents guilty
of starving along with their kids.
Immense concentration camps of sorrow headed by puppets
in the service of powerful Westerners.
Legal, moderate, liberal  powers to suck
oil coffee diamonds pieces of lungs
and cast the poor remains into the sea.
Leave them festering with new diseases
get the nuisance over right then and there, prevent
a suffering homo sapiens sapiens
from propagating all over the place, as it has done for millennia.

 

 

THE TIREDNESS OF THE WORLD

Lament for Mahmoud Darwish

“non tornerò com’ero partito,
                    no, nemmeno furtivamente tornerò.”
Mahmoud Darwish from
“One Traveller Said to Another: We Won't Return as …”

O whiteness of white clouds.
Whiteness of the table of destiny
Why did you leave the horses
Alone in all that light (...)i,
Tired in all this light?

I'll tell you what happened.
The clouds that sped
across the blue sky and the thirst
of the robust "noes" that flowered from the base
with the almond tree branches in their face.

O pear tree in flower.
O pear tree of the nest.
O houses of the stones
white in the light. Resurrected.
O people of the stones.
Like a worm I return to your holes
of bone to gaze at the sky.
No King is as important
As the Raven and its Inkii .

What does perfection lack
after so much tiredness?

O light of voices.
O cloud in my handiii.
O curlèd millipede
that rolls things up.
In the light.
O stones of the dawn, the tired dawn
In which everything will end.
The tiredness of the world.
In the afternoon of tiredness.

Nothing more than this
was in his tired body. Tired.
As unhindered
he moved in the tired light
that was like loosened sheaves of wheat
on the oak, on the golden ground.
With his little mouth open. He waited.

Above whence the sun (…)
Below whence the fish (…)
Run towards the branches,
the feathered branches that run
        in all directions
as if they were bread.
And nests slip from the bushes in flower
striking their flesh
        on tormented flesh.
Thrown into the air,
thrown into the wind,
into the dust from which all creatures
ensue. The dust all together
thrown over everything.
Thrown to the suffering earth.

Barehanded each one with his hands.
Barefooted each one with his feet.
Over all dust. Over each arm.
While the fish kiss the air.
While the fish bite the water.
While the water is thrown in the air.

Lacerating his eyes.
Lacerating his mouth.
Lacerating his hands.
Lacerating his arms.

Thrown on the naked earth
where all things in flower dwell.
Flowering compassionately.
Not far from the great cypress tree.
Its chest distended with splendour.
Thus the water spills among the grains.
Thus the flour spreads in the air.
Marrow that gushes through the tree
of exile, and soothes pain.

While together each land groans.
Each shore groans. Each memory
groans. Each dust-laden wind
groans. Each grain says
take me to my brother
take me to my sister
take me to the flowers of each almond tree,
take me, that Mahmoud may return.

Calling of the ancients in which I abide.
While the python hisses on the hills.
While the coiling tank tracks
raise the dust at the road blocks.
I eat of it, drink of it, thirst of it.
Marrow of tongue. Marrow
of olives. Marrow of shores.
Sweetest marrow of dates
that nourishes the people of the stones.

Clothed like a bird as I can.
Clothed in water as much as I can.

Down here to climb. I descend.
Down here to descend. I drink.

Who throws spadefuls of acrid dust in the air?
A dome of water-lilies darkens Jerusalem.

Here where the dead fill
their nails with dust.
The beard sweeps the terraces.
The sky can be touched from here.
Seven thousand and seven years after Ur.
The beard wove dust of byssus over the earth.
The Gods dressed in wool
and Palestine larded in carnelian.

Everywhere in the exact centre of the broken circle.

While the father returns to look at the hills.
While the mother divests herself of the coiling tank tracks.
Kneeling aurochs descend and, wingèd, arise.
Fathers-Mothers-and-children, devastated together.

While together each land groans.
Each shore groans. Each memory
groans. Each dust-laden wind
groans. Each grain says
take me to my brother
take me to my sister
take me to the flowers of each almond tree,
take me, that Mahmoud may return.

i  A paraphrase of the title of Mahmud Darwish's book “Why Did You Leave the Horse Alone?”, English translation by Jeffrey Sacks, Archipelago Books 2006.
ii  Title of a poem by Mahmoud Darwish “The Raven's Ink” in the collection “Why Did You Leave the Horse Alone?”
iii  The reference is to the title of Mahmoud Darwish's poem “A cloud in my hand” in the collection “Why Did You Leave the Horse Alone?”